Wire to air in under an hour — without a newsroom.
MediaBlaze turns the AP, AFP and Reuters video you already licence into finished, ad-marked news packages and delivers them to your playout platform. You write the shot list; it writes the script to your shot list, records the voiceover and assembles the segment. Your editor approves every one before it airs.
Footage and no newsroom. A channel run by hand. A roster of clients.
Three kinds of customer, buying the same pipeline for three different reasons.
You hold the rights, not a newsroom
Sports, business and regional footage you already pay for, and no production department to turn it into a channel. MediaBlaze is the production department: script, voice, cut, ad breaks, delivery.
You're running the channel by hand
Ingest, enrichment and delivery are somebody's entire week — five browser tabs, manual downloads, files pushed at a broadcaster and hoped over. Same feeds, same Amagi, one review step instead of five tools.
You run channels for other people
Playout partners and integrators: every client gets an isolated workspace with their own agency credentials, AI keys and delivery target. One system, a roster of channels.
Who's behind this — and who stays in control
Nothing airs without sign-off
AI drafts; your newsroom decides. Every script, voiceover and cut stops in an approval queue until an editor approves, edits or kills it. The pipeline waits for a human — every story, every time.
Proven in production
MediaBlaze is built by Kane Technology Group and runs today behind a live sports & business news FAST channel on LG Channels across seven European territories — delivering to Amagi CLOUDPORT in production.
Your feeds, your rights
MediaBlaze plugs into the feed contracts you already hold with AP, AFP or Reuters. We automate your content — we don't license or resell it.
Four stages, one system
No second tool in the middle, and no file leaving the pipeline to come back later.
1 Wires
AP Newsroom, AFP Newsroom and Reuters Connect in one live monitor. One search covers all three; Stage › is the whole import.
How the wires work ›2 AI enrichment
A script written from your shot list, a broadcast voiceover recorded and mixed in, generated stills and motion clips for the shots the footage never covered — and an approval hold before any of it moves.
What the AI does ›3 Editor
A frame-accurate browser timeline: trim, reorder, retime the voiceover, drop in your channel's slates and lower thirds, render.
Inside the editor ›4 Ad breaks & delivery
Cue points your playout platform can act on, stamped onto the package and published in the feed it polls. Proven today into Amagi CLOUDPORT.
How delivery works ›Inside the AI stage: What the AI makes AI video & graphics Auto-Enrich, step by step
The clip carries itself to air
Six stages, two of which are yours. Nothing in between needs a person to move a file from one tool to the next — which is where the work actually goes in a manual pipeline.
Pulled from the wire
Raw video arrives from AP, AFP and Reuters into one monitor. One click stages it.
Scripted and voiced
The story and your shot list become a script, then a broadcast voiceover, mixed under the natural sound.
Laid onto the timeline
Clips and their voiceover tracks arrive in the editor already placed — each track against the footage it narrates.
Dressed with your graphics
Your slates, bumpers, lower thirds and bugs, plus any graphics generated for the story. This part is yours.
Rendered on AWS
The composition renders serverlessly and returns to the library as a finished asset, ready to package.
Delivered, with the metadata
File and feed entry to your playout partner — ad breaks already suggested, duration and cue points attached.